A generative choreography performance visualizing distributed computing systems. "Scalable Choreography" uses mathematical rules to generate movement for five dancers, translating abstract data processing concepts into an embodied visual experience for the Super Computing Conference 2025.

A story-led projection mapping piece for BLINK Cincinnati 2025. The work follows a peaceful transformation: a city legend appears, a structure forms, plants grow through it, and the surface becomes a living architecture.

Principal artist and projection public art activation for the Vol. 6 launch at six locations around the Barclays Center Brooklyn. Celebrating James Harden as an iconic athlete, unifying choreography-inspired motion design with product storytelling.

Immersive enterprise software visualization for SC23, SC24, and SC25 conferences. Turning complex data management concepts into visceral, motion-driven visual narratives.

A digital placemaking project that transforms static architecture into a responsive narrative surface. By visualizing human movement data as persistent traces, the work turns the history of a site's community into a living digital layer.

A lobby artwork for the LED totems at International Towers 2 & 3 in Barangaroo. The piece turns a full Sydney Harbour tidal cycle into a 10-minute underwater world of native flora and calm, slow currents.

A digital placemaking project that transforms static architecture into a responsive narrative surface. By visualizing human movement data as persistent traces, the work turns the history of a site's community into a living digital layer.

A digital placemaking project that transforms static architecture into a responsive narrative surface. Visualizing human movement data as persistent traces, the work turns the history of a site's community into a living digital layer.

A story-led projection mapping piece for BLINK Cincinnati 2025. The work follows a peaceful transformation: a city legend appears, a structure forms, plants grow through it, and the surface becomes a living architecture.

Designed using kishotenketsu - a four-part story structure without conflict - so the visuals read clearly from the street: introduction, development, turn, conclusion.

A lobby artwork for the LED totems at International Towers 2 & 3 in Barangaroo. The piece turns a full Sydney Harbour tidal cycle into a 10-minute underwater world of native flora and calm, slow currents.

Immersive enterprise software visualization for SC23, SC24, and SC25 conferences. Turning complex data management concepts into visceral, motion-driven visual narratives. A site-specific dance visualization installation overlaying motion-captured dancers within a LiDAR-scanned point cloud of the State Library Victoria's La Trobe Reading Room.

Theatrical design and dance visualization for an international production. Combines projection mapping, motion graphics, and interactive systems to support narrative storytelling and make complex choreography accessible to diverse audiences.

Melbourne Fringe programme at Abbotsford Convent: four site-specific commissions by Rebecca Jensen, Jo Lloyd, Harrison Ritchie-Jones, and Lee Serle. Projection design for Lee Serle's work as part of a single evening moving between venues.

AV design for Jasmine Lee-Jones's play about online speech, friendship, colourism, and the commodification of Black women. The AV layer supported a work operating across internet culture, theatre, and social tension.

A generative choreography performance visualizing distributed computing systems. "Scalable Choreography" uses mathematical rules to generate movement for five dancers, translating abstract data processing concepts into an embodied visual experience for the Super Computing Conference 2025.

Principal artist and projection public art activation for the Vol. 6 launch at six locations around the Barclays Center Brooklyn. Celebrating James Harden as an iconic athlete, unifying choreography-inspired motion design with product storytelling.

Research project exploring how digital visualization can make dance more accessible to diverse audiences. Investigating the relationship between movement, time, and visual representation to develop new methods for translating choreographic intent into visual language.

Research project investigating the relationship between breath patterns and movement in dance. Uses biometric sensors and visualization techniques to make invisible physiological processes visible, creating new ways to understand and represent the embodied experience of dance.